Bears On The Run Review
Our friend Paul posted this review on his Live Journal account. He writes so well I wanted to post it to the website. Thank you for all your help Paul.
Shannon
I left the office on Friday and drove across
Lake Ray Hubbard into Dallas, where the BEARS
ON THE RUN tour would perform its opening
concert later that night at the Resource
Center of Dallas.
performance really set a terrific precedent
for all the entertainment to follow. His set
included a rendition of Leonard Cohen’s
“Hallelujah,” which I was only familiar with
from the stellar K. D. Lang cover. Elijah
deconstructed it and rebuilt it with his own
raw brand. It worked perfectly with his voice.
But, for me, Elijah’s best song came last…
his original tune “Better Man.” It was the
most emotionally engaging moment of the night.
But there was still plenty of good stuff to
come.
watch him perform. The way he swayed and
rocked up on his toes to sing the high notes
was somehow endearing. His set included
original tracks such as the uplifting “Paul
and Gene” and the tune that Roy/excalibear
used as a musical intro/outro for his Peraltan
Closet podcast, “Tomorrow.” One of the show’s
highlights came at the end of Shannon’s set,
as he invited Kendall onstage to sing a duet
with him. I won’t be the one to give it away,
so if you make one of the tour stops the
revelation can affect you as it did me. But,
I’d LOVE to have a recording of that duet.
really mean he TOOK the stage — and every
other part of the concert space.
I’d never had the chance to see Kendall
perform his music before. So his brand of
performance art-meets-music-meets-comedy-meets-
rap was completely new to me and spellbinding
from the start.
He invaded the whole space with his high energy
and rapid-fire antics, really broadening the
gamut of musical offerings for BOTR.
Kendall had a second collaboration of the
evening, as Elijah returned to provide musical
accompaniment for the last tune of his set.
saying “WOW!” What a voice.
I’d heard some of his music before, so I knew
I was in for a treat. But, he still dazzled
me (and everyone else) with the way he
committed himself emotionally to lyrics on
every song — summoning a soulful sound that
was jaw-dropping.
I wanted to see his set completely repeated,
because I didn’t feel like I could absorb it
sufficiently in one viewing/listening.
Nakia sat at the keyboard for a few songs,
and entertained the crowd with between-song
banter, as though we were all in his living
room. He sang a few more songs standing at
a mic, including his rousing closer “Pharmacy.”
I was jealous, though, knowing the Austin
audience would get him backed by his full band.
who once again expanded the musical diversity
of the night, taking the stage with his guitar
slung across his back. Matthew really
connected to the audience, sharing himself
with us — and punctuating his history with
songs that ranged from the lofty poetry of
John Denver-like ballads to the more bluesy
offerings that allowed him to showcase his
vocal prowess.
At some point during the show, it occurred
to me BOTR might work best as an all-day
festival, because you leave wanting more
from each performer.
The singers were threaded together by the
burly clown of beardom, Bobaloo. I don’t
think I should share any pics of him yet,
because they would give you insight to some
of his zany schtick. And, though Iím many
things, I’m not a schtick-revealer.
When the last song was sung and the last
schtick was schtuck, I got a chance to see
some of the folks who’d come in to the show
after I settled into my front row seat.
When the hurly-burly was done, everyone
intended to hit the Round Up for some post-
concert shenanigans. But, I had to
find some food. So, I went in search of
Whataburger.
If the tour comes to a city near you, round
up your local bear club (and anyone else who
appreciates good music) and attend the concert.
Also, I recommend you bring a little extra
cash, ’cause you’ll wanna buy some of their
CDs from the merchandise table after you hear
them on the mic.





